Ray Charles White @ Senior & Shopmaker Gallery
February 19, 2008
Last week, the whole Durham Press staff attended the opening for Ray Charles White’s Recent Work exhibition at Senior & Shopmaker Gallery. A good time was had by all, and the show looked amazing. Below are some installation shots from the exhibition. All pieces in the show are recent collaborations with Durham Press.
Into the Woods by Ray Charles White
Refraction and Treeline 1
Reading the Water
Parallax
Treeline 2
Into the Woods and Fractal Studies
Ray Charles White @ Senior & Shopmaker Gallery
February 8, 2008
Next Wednesday, February 13th, 2008, will mark the opening of Ray Charles White’s exhibition, Recent Work, at Senior & Shopmaker Gallery in New York City. The shows runs from February 13 – March 29th, 2008, with the opening on the 13th from 6-8 pm. All works in the exhibition are recent collaborations with Durham Press, and the studio crew have been working tirelessly to get the incredible new works ready for the show.
The Senior & Shopmaker website features the following press release for Recent Work:
Senior & Shopmaker Gallery is pleased to announce an exhibition of new photographic works by photographer Ray Charles White. The artist, born in Toronto in 1961, employs “straight photography” skills which he honed under the tutelage of Ansel Adams, in combination with computer-based digital technology and screenprinting techniques employed by his long-time collaborator, Jean Paul Russell at Durham Press in Durham, Pennsylvania where these works are fabricated. The resulting images-water surfaces, tree branches, shards of cracked ice-are silkscreened onto anodized aluminum panels producing an effect at once simple and infinitely detailed.
Shooting directly from nature, White captures the tension, tranquility, and emotional potential of water, in all its forms. Like artists such as Vija Celmins, Roni Horn, and Hiroshi Sugimoto, White is fascinated by the potential for pure abstraction inherent in patterns found in water surfaces. By tightly cropping his images and arranging them in minimalist grids, the artist eliminates references to specific landscapes. The reflectivity afforded by their aluminum substrate animates his subjects and further separates them from the static nature of traditional landscape photography. In his essay, Enigma of the Earth, Vincent Katz describes the tension in White’s work between nature and technology: “… there is a deeper look, to the materials and means of transference, and the mechanical nature of what we are looking at takes precedence. White takes a salutary distance from Warhol’s undeniable influence, taking a more cautious approach, toeing a line between nature and technology.”
Below are images of the pieces in Recent Work in production. The entire Durham Press crew will be in attendance at the opening, and it should be an amazing night. For more information, please visit the Senior and Shopmaker website here.
Ray and Jason discussing one of the screens Jason is preparing to print
Refraction by Ray Charles White, a new piece to be included in the show
Chris and Jackie cleaning one of the new screens
another new piece, titled Parallax, to be included in the show
Chris and Jason look over one of the just-printed panels for the large-scale piece tentatively titled Into the Woods
Ray Charles White @ The Cleveland Clinic
December 28, 2007
We recently received images of two of Ray Charles White’s unique Surface Tension pieces installed at the Cleveland Clinic in Lyndhurst, Ohio. The clinic purchased one 18-panel Surface Tension and one 21-panel, and the two pieces face each other from opposite ends of a large common area in the space. The skylight above the work accentuates the reflective quality of the aluminum panels, and the pieces are dynamic punches of color in the otherwise monochromatic interior of the space.
Ray Charles White has been out to the Press quite a bit lately, hammering out ideas for several new editions and finalizing the details on works already in progress. Much of this work will debut at Ray’s show at the Senior & Shopmaker Gallery in February. In the photos below, you can see the preliminary images of an as-yet-untitled diptych.

JP working on the composition of a new as-yet-untitled Ray Charles White diptych
Ray Charles White was out at the Press all last week working on proofs for three of his new editions. In the photo below, you can see one of his new photogravure prints being revealed. The print will be included in a series of three, titled Gravure Bubble Studies, and will be on display in our booth at the IFPDA New York Print Fair.
Making photogravure plates is a very exacting and in-depth process. The photogravure.com website does a very good job of explaining the steps that are involved and relating the photogravure process to the origin and evolution of the medium of photography. In keeping with this tradition, Ray has chosen to print his photogravures in an ink color very similar to the tone of a cyanotype print. In the photo below, Ray and Chris discuss the new proof while Chris cleans the plate.
Ray also has several other new editions that will be debuting at the Fair. Below is an image of Pericu Palms, a series of three screenprints on anodized aluminum. House and Garden Magazine recently published an article about Ray’s work on aluminum and his ongoing collaboration with Durham Press. To read more, click here.



















